Brief synopsis: a woman witnesses a policewoman murdering a man. The policewoman, along with other interested parties, needs to eliminate the woman.
A veteran policeman saves the woman from certain death. They join forces to expose the corruption in the small town.
Is it any good?: Out of Death is so bad that I am struggling to find an appropriate adjective to describe its awfulness. There is nothing to recommend this film.
The acting is, without exception, terrible, the script, atrocious. The directing is amateurish and the story, lazy and ill-thought-out.
Spoiler(ish) territory: Dropped off by a friend, Shannon (Jamie King) joke that if she is not back in a few hours, her friend should call search and rescue.
Shannon heads off into the woods. It is beginning to rain. Well, a digital approximation of rain. Rain is very difficult to fake digitally; I have tried. The digital rain makes no difference to the main story.
She is in the woods to bury her father’s ashes. The impending storm – that never comes – gives her pause. Maybe it’s a sign. She writes this in a journal she has brought with her.
The fake storm passes, a tattooed man, Jimmy (Oliver Trevena), drives into a clearing. He sorts out money and drugs, snorts some powder. He hides his mobile phone behind the rearview mirror, putting it to record.
A police car comes up behind him. Policewoman Bille Jean ( Lala Kent) gets out and approaches his vehicle. She gets into his truck. Jimmy gets amorous, Billie Jean stops him; business first.
Jimmy has not sold enough. They have a deal. She seizes the drugs and he sells them; that’s the deal. She is going to have to find another dealer. Jimmy begins to question her, his line of questioning odd.
His mobile pings. Billie Jean finds his mobile and sees that it is recording. They begin to argue. Loudly. Shannon, who is watching them and has her camera out filming them, watches the argument unfold.
A rumbled Jimmy throws powder in Billie Jean’s face and makes a run for it. She gets out of the truck and kills him, shooting him in the head. It is another crappy digital effect. Shannon captures the whole thing.
She drags Jimmy’s lifeless body back to his truck. There is no blood on her. Maybe the cocaine kept the blood off of her. Elsewhere, Uncle Jack (Bruce Willis) has come to the small rural town to visit his younger brother.
Niece, Pam (Kelly Greyson), tells him that her father is away. Jack is a bit down. His wife died three weeks earlier. Pam tells him it will take some time for him to get over it. Pam is a genius. She adds that being in the country, near the lake, is healing. Thank you, Pam.
Pam’s son, Pete (Keagan Lasater), comes to greet Jack. The boy has inherited his mother’s tact, immediately noting how sad his great uncle seems. Jack gifts him a video game. That shuts him up.
The boy buggers off. He only turned up for a gift. I’m guessing he is related to Bruce, as there is no reason for him to be in the film. Back with Jack. And his misery. Jack wonders what he will do out in that rural backwater.
Pam, ever a font of useless advice, says to enjoy the peace. Jack decides to go for a hike. One would. Pam tells him he should take his gun, just in case he should encounter a bear.
One would think the mention of a possible bear sighting would dissuade him. Nope, not one bit. Back in the woods, Billie Jean has moved Jimmy’s vehicle into the bushes. Shannon is still filming her. Billie Jean hears her moving around and shouts. She fires a warning into the air.
A frightened Shannon runs but not before dropping her camera. Yes, she drops the only piece of evidence she has. Not that it matters in the context of the film. She goes back and finds it later.
Billie calls back to the station to speak to Hank (Michael Sirow). They have a problem. She had to kill someone and was spotted. Hank’s brother, Tommy (Tyler Jon Olson), is also listening to the conversation.
Hank asks where the person is. Billie tells him that she ran off. They will have to find her. He sends Tommy to help her with the search. Hank is running for Mayor. He tells Tommy to take out a promotional poster.
Pam and Pete leave old uncle Jack. They are going away for a week. Billie and Tommy search for Shannon. They find her. Shannon, understandably, is terrified. Tommy tells Billie to kill her. Jack, who is out for his hike, sees the scene unfolding.
He intervenes, telling Billie and Tommy to kneel. Tommy, struck by a moment of smartness, guesses that Jack, who has identified himself as law enforcement, will not shoot them. Jack tells Shannon to run. Shannon is off running.
Jack follows after her. As he is a lot older, not as mobile as in his youth, she quickly disappears out of sight. Billie and Tommy, who Jack did not think to secure in any way, shape or form, pursue them.
Shannon hides out in a disused warehouse. She arms herself with a knife. In the woods, Tommy and Bille split up. Billie, having lost her gun earlier, is unarmed. She finds Shannon.
Shannon stabs her in the leg and runs again. Billie, not the smartest person on God’s earth, pulls the knife out of the wound. For a law person, she knows little about wounds. The leg begins to bleed profusely. She calls Tommy. She tourniquets the leg, slowing the bleed.
Tommy finds Billie. She tells him she is not feeling too good. Surprise that. Jack finds Shannon. They have the dullest conversation known to man. He’s a cop. His wife died recently. She’s a photojournalist whose father felt she lacked character. Boring.
More practically, Shannon tells him that she filmed Billie. Jack says he needs to get his phone. She will go and retrieve her camera whilst he does that.
Tommy and a failing Billie, meet up with Hank. Hank tells Tommy he has to kill Billie. She is too much of a liability. She probably would not survive a trip to the hospital. Tommy takes off the tourniquet and lets her bleed to death.
Hank, who is, apparently, the brains of the town, goes to the house of Pam’s father. He is looking for Jack. He just misses him, Jack slipping out as he looks around the house.
Tommy is moving Billie’s body. He sees Shannon and gives chase, catching her. She fights him off, eventually taking his gun and killing him. Hank sees photographs of Pam in the house and realises she is related to Jack.
He calls Pam and gets Jacks number. He leaves the house and goes looking for Tommy, who is not answering his phone. He finds him dead. The death of his sibling does not seem to bother him.
Hank gets Pam picked up. He will use her to flush out Jack. Officer Frank (Mike Burns) gets her. He is exceedingly creepy. Hank calls Jack. He makes a bravado speech, telling him to bring Shannon to him if he wants to see his niece.
Shannon overhears Jack agreeing to exchange her for his niece and is off running again. Jack is now pursuing her. She comes across another house – there are a lot of random remote homes in this town! – and begs the woman (Megan Leonard) to let her in.
Jack walks into the house. Maybe he’s a ghost. Shannon forces the woman to go upstairs, locking themselves in her bedroom. Jack tells Shannon he was buying time.
They formulate a plan. Shannon uploads her film to a computer and sends it to the FBI. Jack tells Hank where they are. Hank brings Pam to make the exchange. They outwit Hank and he gets arrested by the FBI.
A couple of weeks later, Jack is happier. Shannon takes him to see the lake. The end.
Final thoughts: Out of Death is total bollocks. Some actors are, basically, themselves on film. Ryan Reynolds, Dwayne Johnson, Samuel L Jackson, Chris Pratt, are guys who play the same character in practically every role.
Bruce Willis is in this category. The only difference is, he does not even try anymore. Never has it been more evident of a man collecting a wage for the bare minimum. It is just a pension for him.
These days, most films that Willis appears in are guaranteed to be poor. Out of Death takes his films to a new depth. He does not even try. The other actors, except for Lala Kent that worked with him in the God-awful Hard Kill, probably looked forward to being in a film with him.
Pity for them. Written by Bill Lawrence and directed by Mike Burns, the same combinations that brought us the aforementioned, Hard Kill, manage to make an even poorer film this time around.
The acting stinks. Kent, however, is head and shoulder below everyone else. Tyler Jon Olson does deserve a special mention for being unable to hold his breath whilst playing dead.
At ninety-six minutes long, the film still manages to include many extraneous scenes. The film feels longer than it is because of the poor pacing. There is nothing to recommend about this film. It is an hour and a half of your life you will never see again. Avoid.